Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Ian McKellen Confirmed For "The Hobbit"

openly gay Sir Ian McKellen, 71

Ian McKellen, who played Gandalf in all three Lord of the Rings movies, has signed on to reprise his Oscar-nominated role in the two upcoming films being made by Peter Jackson of their juvenile fiction prequel The Hobbit.

McKellen joins other stars from the very successful Lord of the Rings trilogy to return to Middle Earth for the prequel movies like Cate Blanchett as Galadriel, Elijah Wood as Frodo and Andy Serkis  as Gollum.

BOOK REVIEW: Joe Abercrombie's The First Law Trilogy



I first learned about Joe Abercrombie from Amazon.com, which suggested the author for people who like Patrick Rothfuss. I bought the first one at a local independent bookstore in Glendale, Mystery & Imagination Bookstore (238 N. Brand Blvd, Glendale, CA 91203, 818-545-0206) who had also turned me on to Rothfuss' The Name Of The Wind in the first place.

Abercrombie is another hard-core fantasy author like Rothfuss, with swords, wizards, duels, kings, sieges and hand-to-hand combat. Lots of hand-to-hand combat.

Although the three books are really three parts of one very long, engaging story each book also has its own story arc which allows them to be read independently (although probably not out of order).

The Blade Itself
The first book in the series introduces the trilogy's main characters, namely San dan Glokta (the heartless inquisitor and former expert swordsman who was caught and tortured by the enemies of The Union and left a crippled, bitter man), Jezal dan Luthar (the reigning expert swordsman who also happens to be a handsome, self-centered twit), Bayaz (who may or may not be a great wizard of antiquity come back to life) and Logen Ninefingers (a brutal, uncivilized Northman who has such a deadly and violent reputation his name alone makes strong warriors nervous) and The Dogman (who is currently leading Logen's band of Northern barbarian killers in his absence). Abercrombie plays with many familiar cliches of epic fantasy, often turning them on their head with obvious relish to the laugh-out-loud delight of the reader. As first books in a trilogy go, The First Law does a good job of setting up the future action while still containing enough tension and thrills itself to be a worthy read.

Before They Are Hanged
The second book is about three main story lines: Glokta is trying to save himself and the city of Dagoska while under siege by the savages from the South who openly defy The First Law (Thou Shall Not Eat The Flesh Of Men), Bayaz is leading a band of misfits to the end of the world on a quest to find an object of power to save the world from the so-called Eaters, and there is a gigantic clash of armies in the North which signals war is coming to the Union sooner rather than later. Again, Abercrombie walks a fine line between tweaking epic fantasy conventions and following them to the letter. The main strength of the book is his characterizations, which he supports by letting the reader see the internal dialogue of many of his characters which at first blush seemed to be very unprepossessing. However, once you see the world and situations (literally) through their eyes it puts a more positive spin on their actions, even when they are behaving badly. Before They Are Hanged suffers slightly from being the middle book in a trilogy, but very slightly. For me, part of that was due to the bigger role the strong female character of Ferro Maljinn plays  in this section of the story.

Last Argument of Kings
Abercrombie takes the final book and resolves all of the storylines from the second book (most of the main ones are actually resolved by the end of the second book); he also develops his characters to places the reader was almost certainly not expecting. I don't want to give away any spoilers (read the books yourself, they are well worth the time, especially if you are a fan of epic fantasy) but some of the characters that we generally believed were "bad" end up becoming "good" and some of the characters that we thought were "good" do some very bad things indeed. Besides characterization, Abercrombie's great skill is in writing fight scenes that make the reader believe one is particpiating in hand-to-hand combat or the hart of a battle right there with the characters. He really outdoes himself in that regard in Last Argument of Kings, and that alone probably makes the last book the best of the series. As before, Abercombie's main goal is to upend reader's expectations, of genre, character and story and he succeeds on many levels. That being said, there's a fourth book set in the Universe of the First Law trilogy books called Best Served Cold which I really have no interest in reading. I'm invested in these characters and have many unanswered questions, mainly "what happens next?" and "Where the heck is Logen Ninefingers?"

Author: Joe Abercrombie.
Title: The Blade Itself (The First Law, Book 1).
Length: 531 pages.
Publisher:
Pyr.
Date:
September 6, 2007.

OVERALL GRADE: A- (3.66/4.0).
PLOT: A.
IMAGERY: A-.
IMPACT: B+.
WRITING: A-.


Author: Joe Abercrombie.
Title: Before They Are Hanged. (The First Law, Book 2
Length: 543 pages.
Publisher:
Pyr.
Date:
March 25, 2008.

OVERALL GRADE: B+ (3.50/4.0).
PLOT: A-.
IMAGERY: B+.
IMPACT: B+.
WRITING: A-.

Author: Joe Abercrombie.
Title: The Last Argument of Kings. (The First Law, Book 3)
Length: 639 pages.
Publisher:
Pyr.
Date:
September 23, 2008.

OVERALL GRADE: A/A- (3.75/4.0).
PLOT: A.
IMAGERY: A-.
IMPACT: A-.
WRITING: A-.

BOOK REVIEW: Vonda McIntyre's Dreamsnake

At a local used bookstore in Glendale I finally got my hands on a copy of Vonda McIntyre's Dreamsnake, one of the rare works of speculative fiction to have won the Nebula, Hugo and Locust award. I often read these books and Dreamsnake is one of the few books that is double Hugo-Nebula winner that I have not read yet. The others are Lois McMaster Bujold's Paladin of Souls and Arthur C. Clarke's Fountains of Paradise.

Most double winners are classic books, that deserve to be re-read over and over again. Connie Willis Doomsday Book, Frank Herbert's Dune, David Brin's Startide Rising and Issac Asimov's The Gods Themselves fall into that category. Interestingly, recently I tried to re-read Ursula K. LeGuin's The Dispossessed and I could not get through it. A few years ago I finally read Clarke's Rendezvous with Rama and was surprised at how painful it was to get through it.

So, I really did not have high expectations for Dreamsnake. However, I was pleasantly surprised.

Dreamsnake is about a Healer named Snake who uses snakes to heal people. The book mentions repeatedly that she uses the rare dreamsnake to help people who have serious (potentially fatal) illnesses, by either curing them or easing their transition to death. What's curious is that during the course of the book, Snake heals several people without a dreamsnake, and in one case even loses a patient despite not having one of the alien serpents at hand.

One of the key features of Dreamsnake is its depiction of a very different society. It is primarily agrarian, with almost no technology and very curious cultural practices (like not wanting to tell acquaintances your "true name" and a completely different view of contraception). One of the most interesting aspects of the book is the completely laissez-faire approach to sexuality. Most adult relationships are in partnerships of three, usually two women and one man or two men and one woman.

A drawback of the book is the somewhat stilted nature of the prose. The sentences are very short and not very lyrical in nature. I'm not sure if this is because the book is over thirty years old, but I suspect that much be a factor. Another weakness of the book is the central character Snake. As depicted, she is not a very likable person and was very hard for this reader to identify with. She is moody, cranky, unattractive and uncertain. She is also brave and dedicated to helping others, almost to a fault.

The story resolves itself in the end in a somewhat unsurprising manner, with Snake finding love and companionship and a solution to dealing with the lack of dreamsnakes on her world. Overall, I'm glad that I finally read the book but I would not classify it as a classic of the form like most Hugo-Nebula winners.

Title: Dreamsnake.
Author: Vonda McIntyre.
Length: 319 pages.
Publisher: Dell.
Date: June 1979.

OVERALL GRADE: B.

PLOT: B+.
IMAGERY: B.
IMPACT: B-.
WRITING: B
.

BOOK REVIEW: Peter Brett's The Desert Spear

I discovered Peter V. Brett's The Warded Man thanks to the Marc Chitty's Walker of Worlds blog. It is one of the best fantasy novels that I have read since the amazing, near-perfect The Name of the Wind (read my A+ review) by Patrick Rothfuss.

The Warded Man (see my A+/A review) creates a fantastic world where the night belongs to demonic creatures who terrorize and kill any humans or animals who are unlucky enough to be outside unprotected by wards. Wards are special symbols which when written on a surface magically can protect it from demons. Humanity is basically trapped behind warded gates and windows in an era which has almost no technology (no electricity, no internal combustion engine, no machinery period). There is some medical knowledge and society has a basic agricultural and feudal nature. Life expectancy is in the fifties.

However, as with most meaningful works of fiction, the emotional impact is centered around the characters. The first book introduces us to Arlen, Leesha and Rojer. Arlen becomes the first person in his village who wants to fight the demons and devotes his life to destroying as many demons as possible, searching for the fabled (and long-lost) "fighting wards" which can not be used defensively to protect the bearer but also offensively to kill demons. Leesha is the brilliant apprentice to Bruja, the town Healer and through her eyes the reader gets to experience the politics of gender in a patriarchal, small-town society. Rojer is an orphan who saw his mother and father killed by demons but was taken in by an itinerant musical entertainer. Rojer becomes a talented musician despite having a mangled hand that he received from the demon who killed his parents.

The Desert Spear is the second book in what is now called The Demon Trilogy. It is primarily set in Krasia. a dry land far in the desert, where through insane bravery and a warrior culture of machismo every night the people of the desert lure demons into a maze and kill them in hand-to-hand combat or trap them in pits where they are destroyed when the sun rises in the morning.

Much of the second book takes place in Krasia, following the main character Ahmann Jardir, who had a minor role in the first book. This time his entire backstory from youth is given (a similar practice is used in the first book for the main characters of Arlen, Leesha and Rojer). Also like in the first book, here, too, we get an interesting look at cultural norms, this time a quasi-Muslim society. I thought some aspects of the society were slightly derivative of Frank Herbert's Dune but overall the Krasia-set chapters were as interesting as the stories following our now-familiar favorites from the first book. We are also introduced to Renna, who is a girl from Arlen's hometown who goes through a horrific ordeal and eventually follows him down the path of being a singular opponent of demons.

One (slight) downside of the books for me as a gay reader is the way that homophobia and sexism of the Krasian society is depicted, especially through the character of Abban, who although it is clear that he is straight, is perceived as a "lesser man" by all other Krasians. At some point the author does make it clear that being gay is not looked down upon in Krasian society. In the North, where Rojer, Leesha and Arlen live much of the plot and dynamics of the characters revolve around the presumed (and confirmed) heterosexuality of everyone. I would have liked to see a more nuanced approach to sexuality in The Desert Spear since Brett does an excellent job of depicting and deconstructing gender hierarchies quite well in both books.

A new feature of the second book is some scenes from the viewpoint of the demon, at least one demon in particular, "mind demons" who happen to be "coreling princes." This forebodes an interesting component of the story, which will be resolved in the third installment, apparently title The Daylight War and scheduled for release in 2012.


Title: The Desert Spear.
Author: Peter V. Brett.
Length: 608 pages.
Publisher: Del Rey.
Date: April 13, 2010.

OVERALL GRADE: A/A+.

PLOT: A+.
IMAGERY: A.
IMPACT: A.
WRITING: A
.

Celebrity Friday: Jason Momoa


Jason Momoa, who played Ronon on Stargate: Atlantis has been cast as the lead in the new version of Conan The Barbarian. He will also appear in the new HBO miniseries version of Game of Thrones, the first of George R.R. Martin's classic fantasy series A Song of Ice and Fire.

Hat/tip to Wonder Man.

2010 Hugo Nominations Announced

The list of nominations for the 2010 Hugo Awards has been announced and the nominees for best science fiction novel are:
  • Boneshaker, Cherie Priest (Tor)
  • The City & The City, China Miéville (Del Rey; Macmillan UK)
  • Julian Comstock: A Story of 22nd-Century America, Robert Charles Wilson (Tor)
  • Palimpsest, Catherynne M. Valente (Bantam Spectra)
  • Wake, Robert J. Sawyer (Ace; Penguin; Gollancz; Analog)
  • The Windup Girl, Paolo Bacigalupi (Night Shade)
Interestingly, three of these books are also on the 2010 Nebula Awards list: The City & The City, Boneshaker and The Windup Girl. The only one of the nominees that I have read is The City & The City and I am a huge fan of Miéville, if not this particular book. I adored Robert Charles Wilson's Spin but have not been able to finish a single book of his since, even though at this point he must be considered a perennial nominee (I didn't get past page 50 of Julian Comstock before gratefully returning it to the library). The description of Robert J. Sawyer's Wake sounds like it will be the only other Hugo nominee that I will be attempting to read in the near future. I've read his Hominids series and he seems to be better at ideas than implementation.

The City & The City is turning out to be the most highly acclaimed speculative fiction book of the past year, having been nominated for the Hugo, Nebula, British Science Fiction Award and Arthur C. Clarke Award and according to Mark at Walker of Worlds has just won the BSFA. Since he's a Brit he can't be nominated for the Pulitzer but perhaps he'll get shortlisted for The Man Booker? Has any speculative fiction scaled such critical heights before?

BOOK REVIEW: David Mitchell's Cloud Atlas

David Mitchell's Cloud Atlas is a hugely ambitious novel that has been widely celebrated. In fact, it made it to the #6 position on my favorite books of the decade 2000-2009. It was a finalist for the Man Booker Prize as well as a nominee for the Nebula award.

Cloud Atlas is a very fun book to read. I am not surprised that it is a favorite of authors. The book is split into six different stories, each of which is told in a different style, genre and voice.

In some sense, the book is really six novellas or short stories. What is fun as a reader is reading to find the connections between the stories. Generally, the main character in one story is usually seen as having had access to the story we have just read.

Although the six stories cover many different genres, at least two of them are clearly classifiable as science fiction, which is probably one reason that I enjoyed the book so much. Interestingly, the longest story (which is set in a post-apocalyptic world) is my least favorite part of the book and despite finding that section almost unreadable I still evaluated Cloud Atlas as one of my favorite books of the decade.

I believe that David Mitchell should be rewarded for his creativity and imagination at even attempting to create such a unique work as Cloud Atlas. Although it is not completely successful in every aspect, it is still a delightful reading experience that you should not miss!

Title:
Cloud Atlas.
Author: David Mitchell.
Paperback:
528 pages.
Publisher:
Random House Trade Paperbacks.
Date: August 17, 2004.

OVERALL GRADE: A/A- (3.925/4.0)

PLOT: A.
IMAGERY: A.
IMPACT: A.
WRITING: A-.

2009 Nebula Award Nominations Announced

The nominations for the 2009 Nebula Awards for best work in speculative fiction were announced on Friday.
The Windup Girl, Paolo Bacigalupi (Nightshade, Sep09)
The Love We Share Without Knowing, Christopher Barzak (Bantam, Nov08)
Flesh and Fire, Laura Anne Gilman (Pocket, Oct09)
The City & The City, China Miéville (Del Rey, May09)
Boneshaker, Cherie Priest (Tor, Sep09)
Finch, Jeff VanderMeer (Underland Press, Oct09)
The only one of these that I have even heard of is China Miéville's The City & The City, which I recently reviewed. Last year's winner was Ursula K. LeGuin's Powers (which I have also previously reviewed). The top awards in science fiction writing are the Hugo Awards (voted on by fans) and the Nebula Awards (voted on by authors).

A rare number of books have won both awards, and they are often some of my favorite reads.

BOOK REVIEW: China Miéville's THE CITY & THE CITY

China Miéville, brilliant author of The Scar and Perdido Street Station is back on the top of the critics lists with his latest work, The City & The City.

I am a huge fan of China Miéville's previous fantasy work, and I'm also a big fan of mysteries, so when I heard that the genre-defying British author's latest book was a noir thriller I was excited and intrigued.

The City & The City is a very unusual book (as expected from Miéville) built from a mundane beginning: the body of a murdered woman is found in a bad part of a city and an experienced detective is assigned to the case.

The detective is
Inspector Tyador Borlu and the city is Beszel. The other city is Ul Qoma. The city & the city somehow occupy the same geographical space, in what the author calls a "crosshatching" where the residents of each city have their own language, food, culture, dress but have to consciously avoid acknowledging the existence of the other twin city, or be accused of "Breach."

Breach are the mysterious enforcers of the separation between the two cities. Both sides fear breach, and as the story unfolds breach takes on larger-than-life status.

Miéville does an interesting job of subverting and supporting the murder mystery/detective thriller format.

Overall, I was somewhat disappointed by
The City & The City. I'm not sure if it is because I had such high expectations from Miéville due to my love of his previous fantasy novels The Scar and Perdido Street Station. One big difference between those works and this latest work is the length. The City & The City is barely half the length of either of those works, and is nowhere as multi-threaded and multi-faceted as those works. This may be due to the form, itself, which of course has an overarching plot imperative: Will the detective solve the mystery and catch who committed the murder?

I think what happens in The City & The City is that the plot is so dominated by this one theme that even the bizarre setting of the two cities is not enough to maintain the level of fascination that Miéville is usually able to sustain when he is creating a work free of the constraints of a specific format like that imposed by the detective procedural.

If you have already read the other Miéville books, I would recommend starting with those and skipping the trip to The City & The City.

Author: China Miéville.
Title: The City & The City.
Length: 336 pages.
Publisher:
Del Rey.
Date:
May 26, 2009.

OVERALL GRADE: B+ (3.4/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: B.
WRITING: B+.

BOOK REVIEW: Iain M. Bank's MATTER

Iain M. Banks has been on my list of science fiction authors to try for quite awhile since his name is often mentioned in the same breath as my favorite, British master of space opera Peter F. Hamilton.

I actually tried to read Banks a few years ago when his The Algebraist came out. It got excellent reviews and was nominated for big awards soI picked it up from the library and hated it. I didn't even bother to wrie up a review. In fact, I'm not even sure I finished it, but I am pretty sure I did. All Banks novels are intricately plotted with multiple threads and characters leavened with wry humor but for some reason The Algebraist just didn't work for me.

Happily, Matter, which is one of the books in the series Banks is most well-known for (The Culture series) is very different from The Algebraist although on the surface their descriptions seem somewhat similar.

Both books feature a sophisticated, galaxy-spanning society which has an intricate, hierarchical culture and a story that centers around a single key individual. In The Algebraist this person is the annoying Fassin Taak, while in Matter this person is Prince Ferbin.

Most reviews of Matter talk about its overwhelming length (600+ pages) but for someone who is a Peter F. Hamilton fan this is really not an obstacle to enjoying the book, since we are accustomed to the 1000+ page-turners Pandora's Star and Judas Unchained.

Iain M. Banks' work is reminiscent of Hamilton, with a similarly complicated plot and overly detailed combat scenes. However, Banks also includes a wickedly sharp sense of humor that he deploys to great effect as he simultaneously creates and pokes fun at typical space opera tropes such as advanced weapons technology, super-smart computers, humongous artificial living environments and bizarre aliens.

Reading Matter has convinced me to try and read the earlier works in the Culture series, like Excession (1998) and Look to Windward (2001), the immediate prequel to Matter.

Title: Matter.
Author: Iain M. Banks.
Length:
624 pages.
Publisher:
Orbit.
Date:
February 10, 2009.

OVERALL GRADE: A/A+ (4.08/4.0).
PLOT: A+.
IMAGERY: A+.
IMPACT: A-.
WRITING: A
.

BOOK REVIEW: Peter Brett's The Warded Man

Thanks to the book review blog Walker of Worlds, I have discovered some new fantasy and science-fiction authors from looking at Mark Chitty's This Year's Top Reads: Peter V. Brett, Neal Asher, Eric Brown and Alastair Reynolds.

I have actually read a fair number of books by these authors since I discovered Walker of Worlds in December 2009, but the first book I want to review for "Thursday Reviews" is The Warded Man by Peter V. Brett. As I have mentioned before, it's much easier to read books than it is to write up reviews of them!
I have a backlog of at least a dozen book reviews that are in various stages of preparation at this point, and I just finished another novel (Joe Abercrombie's The Blade Itself) last night!

Chitty has a similar love that I have for grand-scale, military space opera, so he is also a big fan of Peter F. Hamilton. However, he is an even bigger fan of Neal Asher who I have just begun to get into. We both are not huge fans of fantasy unless it is done really well (like Patrick Rothfuss' The Name of the Wind) so when Chitty gave Peter V. Brett's The Warded Man a 10/10 review it caught my attention.

Since Mark Chitty does such a good job of setting the scene of the book, I will quote from his review:
The world that Peter V Brett has created here is wide in scope and full of character. From the vivid descriptions of the small towns on the outskirts of the cities, where night is always a dangerous time, to the cities themselves - huge and strongly warded against the corelings - there is much to admire. These places felt real, the rundown and ruined houses always a constant reminder of what can happen when wards fail. The cities have their big, luxurious houses while the images of despair that are brought to mind when the lowly shared shelters are mentioned add to the clear distinction of class. Despite all of this and how much I enjoyed the world every time I opened the book, the characters steal the show - and quite rightly too.

We follow our three main characters - Arlen, Leesha and Rojer - from a young age. This allows us to grow with them, feel their fear and desires and aspirations. What is good about these characters is their individuality, the way each one feels completely different from the others, yet there is a strong and wilful element that will not just lie down or continue on the road expected of them.
The corelings are demons that emerge once night falls and take different forms: sand demons, wind demons, wood demons and (the most dangerous) flame demons and rock demons. They are a fantastic invention, but I did have a quibble with Brett in that I don't think he did as good a job as he could have to make it clear what the demons were. First, I thought they were intangible spirits but by the end he makes it clear that they are completely physical beings that eat, bleed and defecate but somehow are magically prevented from violating an area with a ward (a special symbol) on it. I suppose this lack of information in the reader's mind about the nature of the corelings is meant to mimic the characters' ignorance about the demons; the fact that most people have no interest in even fighting the demons or finding out anything more than how to avoid them is a key plot point. However, I found it slightly frustrating that the demons could be both described as ghostly figures that materialized from under the ground as soon as the sunlight faded and solid enough creatures that with sharp teeth and talons and ichor for blood.

The book is quite suspenseful. Mark Chitty identified the most with the main character of Arlen (and he is given the most attention by the author) but I like Leesha more and felt that Rojer was given slightly short shrift. It is clear that Arlen is the title character (it should be noted that in the United Kingdom the book was released with the title The Painted Man, which Chitty thinks is a better, less revealing title to an important plot point but I disagree. I think The Warded Man is an improved title, although either way I figured out the plot point well before its reveal in the book). His journey takes up the majority of the book and ends up in a surprising and somewhat sad conclusion.

Excellent features of the book are its very realistic depiction of life in big cities and small towns in a culture which has almost no technology and the ways that class and gender impact the lives of the characters (there is almost no depiction of race, per se although there is some discussion of ethnicity). Also, the fight scenes between characters and the demons are uniformly excellent, with the final battle to close out the book producing a pulse-racing finale.

Overall, the book is a compelling, exciting tale set in a well-depicted, realistic world that I look forward to visiting again in future work by this first-time author.

Title: The Warded Man.
Author:
Peter V. Brett.
Length: 432 pages.
Publisher:
Del Rey.
Date:
March 10, 2009.

OVERALL GRADE: A/A+.

PLOT: A+.
IMAGERY: A.
IMPACT: A.
WRITING: A+.

REVIEW: Vernor Vinge's A FIRE UPON THE DEEP

Vernor Vinge's A Fire Upon The Deep is an instant classic science fiction novel. It won the Hugo Award for Best Science Fiction novel of 1992 and is considered one of the finest examples of its genre.

Vinge also won the Hugo award in 2000 for A Deepness In The Sky and again in 2007 for Rainbows End. A Deepness in the Sky is an astonishing novel, written in the same fictional universe as A Fire Upon The Deep, sometimes called the Zones of Thought. (See MadProfessah's A review.)

A Fire Upon The Deep has a very complicated but engrossing plot (of course).

The basic story is about what happens to two young children Johanna and Jefri who are accompanying their scientist parents when the family is forced to evacuate a region of space to avoid a dangerous anomaly, crash-land on a planet and the kids are orphaned. The inhabitants of the planet are one of science fiction's most intriguing creations: Tines, furry four-legged creature which resemble dogs in appearance and intelligence but when they bond together in groups of four or more they become sentient beings. Vinge is at his amazingly sympathetic when depicting aliens and their novel civilizations. The Tines' culture resembles a medieval feudal society emerging from the Bronze Age which has had two aliens (who happen to be adolescents) with 30th century technology.

The plot develops in surprising ways and Vinge deals with the youth of the protagonists amazingly well. The two are separated relatively early in the book and join rival factions of the Tines, the overall resolution is exciting and engrossing.

A Fire Upon The Deep is a classic work that should be read (and re-read) by anyone remotely interested in alien civilizations, high technology and youthful heroes.

Mass Market Paperback:
624 pages.
Publisher:
Tor Science Fiction.
Date: February 15, 1993.

OVERALL GRADE: A.

PLOT: A.
IMAGERY: A+.
IMPACT: A-.
WRITING: A-.

My Favorite Books of the Decade 2000-2009

Thank goodness for school holidays. Thanks to this academic hiatus, I have been able to post my favorite films of the decade and my favorite television shows of the decade. Now comes my favorite books of the decade. It should be noted that these are books that were published between January 1, 2000 and December 31st, 2009 and read by me during that period. On Thursdays, I will try to regularly review either a movie or film in 2010.
Here are some capsule reviews of some of my favorite books, with full reviews accessible by clicking on the titles.
10. Fledgling. The final work from one of my favorite science-fiction authors who unfortunately died during this decade, in 2006. Octavia Butler was one of the very few African-American women to write in this genre, and she was quite successful, with her writing winning both of the highest accolades in the field, the Hugo and Nebula awards. Fledgling is Butler's re-imagining of the vampire myth, with the lead character being a genetically modified member of the Ina race, who appears to be a 13-year-old black girl but who is actually a 53-year-old creature who feeds on humans in symbiotic, mutually pleasurable relationships. As usual, Butler's work deals provocatively with issues of race, power, Author: Octavia Butler. Released: 2005.

9. Anathem. One of the most highly regarded science fiction books of 2009 gets on the list for its sheer inventiveness. Neal Stephenson is well-known for his genre-busting works such as Snow Crash, Cryptonomicon and his New York Times best-selling works of historical fiction that make up the Baroque Cycle. His books are generally huge and Anathem is no exception. This time Stephenson is playing with several different speculative fiction forms: alien first-contact, potboiler set in an insular academic/religious community, and road trip/quest. The story is told as a first-person narrative by a Fraa Erasmas who appears to be some kind of monk in an order devoted to the contemplation of mathematics and science. In fact, a slightly skewed look at mathematics and science play an integral role in the book, because Stephenson uses an encyclopedia of neologisms in the text to describe topics familiar to any college math/science major--half the fun of the book is trying to figure out what basic mathematical concept he is referring to using faux ancient terminology. The plot is a delightful romp and one is sad but satisfied when the book comes to an exciting conclusion. Author: Neal Stephenson. Released: 2009.
8. The Nine. The only work of nonfiction on my list of favorite books of the decade. Generally, I prefer fiction, and speculative fiction, at that, when I read. However, I am intensely interested in United States constitutional law, and so the Supreme Court is a hobby of mine. One of my all-time favorite books is Edward Lazarus' Closed Chambers: The Rise, Fall and Future of the Modern Supreme Court. Jeffrey Toobin's The Nine is an updated version of this insiders look at the inner workings of the SCOTUS. It is an absolutely fascinating read for anyone who has ever cursed the name of Antonin Scalia. Author: Jeffrey Toobin. Released: 2007.
7. Southland. An absolutely brilliant book which combines many of my favorite things: Los Angeles, law, mystery, history, openly gay characters, and an intellectually interesting analysis of race and gender. Southland is set in three different times: the 1930s south Los Angeles, the 1965 Watts riots, and post-Rodney King uprising West Los Angeles. The main character is Jackie Ishida, a Japanese-American lesbian law student, who together with an African-American guy named James Lanier attempts to figure out why her grandfather bequeathed nearly $40,000 in cash to a black guy named Curtis Martindale that she had never heard him mention before. It is a family drama, murder-mystery and historical fiction, all tied together with excellent plotting and well-crafted writing. I wish all mystery novels were as engrossing and meaningful as Southland. Author: Nina Revoyr. Released: 2003.
6. Cloud Atlas. This book was given to me by a friend who thought I might like it without telling me anything about it. It's a perfect way to encounter David Mitchell's brilliant onion of a novel. It was only after I finished reading it that I discovered how well-regarded and highly celebrated Cloud Atlas is. There is a brilliant conceit to the novel which I do not want to reveal, but suffice it to say that whatever your favorite genre is, you will not be disappointed. (I should warn you that Cloud Atlas still gets this high a ranking in my favorite books of the decade despite the fact that there were probably 50 pages in the middle of the book that I skipped unread without any loss of enjoyment in the novel, and without substantially detracting from my overall evaluation of the book as a masterpiece.) Author: David Mitchell. Released: 2004.

5. Perdido Street Station and/or The Scar. Hello, Hollywood? Miéville writes the most imaginative and terrifying "weird fiction" (as he himself calls it) of anyone writing in speculative fiction today (that I have read). Unfortunately for Hollywood, the books are probably unadaptable even in these post-Avatar days. I discovered Perdido Street Station by looking for sci-fi/fantasy novels that had won multiple awards at AwardAnnals.com and China Miéville was the only author at the time who had two books in the Top 20 whom I had never heard of! Lots of people either hate or love his work, but I was completely blown away by both Perdido Street Station and its "sequel" The Scar. I put both books on the list of my favorites for the decade because they are both excellent and I didn't want to choose one over the other. Both books are set in the city-state of New Crobuzon on the planet of Bas-Lag, one of the most intriguing and well-imagined locales in all of speculative fiction. However, I found the third book set in New Crobuzon, Iron Council, almost unreadable. It has sat by my bedside for nearly 6 months, untouched past the third chapter. Interestingly, there are almost no characters shared between the three books except New Crobuzon itself. That, and the fertile imagination of the author, are the real attraction here. It is a place you will not soon forget. Author: China Miéville. Released: 2000 and 2002.

4. Unaccomplished Earth. When people ask me who my favorite author is, I almost always immediately reply "Jhumpa Lahiri." She writes about the immigrant experience of Bengali (South Asian) people trying to assimilate, acclimate and accomodate "American" values. Although, I am not Bengali, since I am an immigrant from the Caribbean I think the universal nature of her description of the experience of how outsiders become insiders resonates deeply with me and any other group of people who feel marginalized in this culture. Plus her prose is simply beautiful and her plotting is generally surprising and realistic. In the past decade Lahiri also released her first novel, The Namesake, which was made into a well-regarded film starring Irfan Khan and Kal Penn, but I think it is in her short stories that Lahiri gets the reader to spend just the right amount of time with her characters, instead of the extended commitment of a full novel. Accustomed Earth is her second collection of short stories, her first (in my opinion, inferior) collection, Interpreter of Maladies won the Pulitzer Prize for Fiction in 2000. Author: Jhumpa Lahiri. Released: 2008.

3. The Name of the Wind. The best fantasy novel I have ever read, and that probably includes The Lord of the Rings. What makes The Name of the Wind so compelling is that it blends multiple genres. It is a coming-of-age tale, a mystery, a orphan-makes-good story and a memoir. For good measure, it is also set in a school of magic, like the esteemed Hogwarts in the Harry Potter novels! This is just the first book in what the author calls The Kingkiller Chronicles. It is hard to imagine that the next book (The Wise Man's Fear) can live up to the first, but even if it is only half as good, it will be a remarkable achievement by this first-time author. Author: Patrick Rothfuss. Released: 2007.

2. The Brief Wondrous Life of Oscar Wao. A heartbreaking work of staggering genius. Winner of the Pulitzer Prize for Fiction in 2008. A stunning melange of sci-fi/fantasy geekdom and Dominican Republic history and folklore, wrapped around an immigrant story and an impossible love story. Although this is one of the few books in my Top 10 that I have not re-read, I think it is because the memory of how shattered I was by reading the ending the first time still haunts me. Author: Junot Diaz. Date Released: 2007.

1. Pandora's Star & Judas Unchained. Although not as overwhelming as his reputation-ensuring Night's Dawn trilogy, Pandora's Star and Judas Unchained (sometimes called The Commonwealth Saga) are a monumental work in their own right. I disagree with critics who think that what the author begins in the first book he fails to bring to a satisfying conclusion in the second book. In all honesty, they are really one huge masterwork which the economics of modern publishing required to be split into two parts. Clearly, the author must be enamored of the vibrant, complex, exciting universe that he created in these books because he has returned to them in his next huge work, the excellent Void Trilogy, whose first two books The Dreaming Void and The Temporal Void have been released already, to mostly ecstatic reviews. I believe that the enthusiasm with which the Void Trilogy books have been greeted with is animated by residual good feeling from those who have read and enjoyed the Commonwealth Saga. It should be noted that these new books are an interesting departure for Hamilton since they feature a well-written and engaging plot thread which is almost entirely fantasy-based instead of the military space opera hard sci-fi for which he is most well-known and appreciated. I have re-read all four books Hamilton has published this decade and can honestly say they have given me the most enjoyment of anything that I have read since 2000. Author: Peter F. Hamilton. Released: 2005 & 2006.
Honorable Mentions: Jonathan Strange & Mr Norrell by Susannah Clarke, The God Delusion by Richard Dawkins, The Lies of Locke Lamora by Scott Lynch, Resurrection Men by Ian Rankin, The Emperor of Ocean Park by Stephen L. Carter, The Girl with the Dragon Tattoo by Stieg Larsson, Harry Potter and the Deathly Hallows by J.K. Rowling, The Golden Compass by Philip Pullman, Middlesex by Jeffrey Eugenides and Spin by Robert Charles Wilson.

Best Book Read This Decade (Published Before 2000): Doomsday Book by Connie Willis.

My Favorite Films of the Decade 2000-2009

Here is my Top 10 list of my favorite films seen in the last decade, from January 1, 2000 to December 31, 2009.
  1. The Lord of the Rings. The pure cinematic achievement of Peter Jackson's adaptation of J.R.R. Tolkien's classic fantasy novel The Lord of the Rings is absolutely stunning. The films were box-office blockbusters and universally critically acclaimed, even by people who had never read the book(s). I first read the book(s) at the age of 9 and loved these perfect filmic realizations even more than the original(s). Director: Peter Jackson. Released: 2001, 2002, 2003.
  2. Memento. I still remember the sense of wonder and amazement I felt during and after watching Christopher Nolan's debut feature film. My mind was blown but I knew that I wanted to see it again, and that I would make sure to see everything this director would ever release in the future (The Dark Knight, The Prestige, Batman Returns, Insomnia). Director: Christopher Nolan. Released: 2001.
  3. Avatar. Yes, believe the hype! James Cameron confounded all the doubters who refused to believe that the director of Aliens and Titanic could (again!) reinvent the cinematic experience with an(other) original story. I saw the film twice in the first weekend of release and know that I will see it again several times. This is the current generation's Star Wars: a film which restores the sense of wonder to cinema. Director: James Cameron. Released: 2009.
  4. The Incredibles. From the director of the instant classic The Iron Giant and the wizards at Pixar came this incredibly poignant and action-filled story of a family of superheroes. The Incredibles, like Finding Nemo, Up, WALL-E and Ratatouille demonstrate that animation can be as emotionally powerful as live-action. Whenever I see this film on TV I must stop what I'm doing and watch it all the way to the end. If I believed in God, I'd pray for a sequel! Director: Brad Bird. Released: 2004.
  5. Tell No One (Ne Le Dis A Personne). An innocuous little French thriller that grabs your attention from the first scene and leaves you breathless at its satisfying conclusion. The story is adapted from Harlan Coben's thriller "Tell No One." It also does a very good job of illustrating contemporary life in Paris, subtly challenging preconceptions that ideal living standards must be American. Director: Guillaume Canet. Released: 2006 (France), 2008 (United States).
  6. House of Flying Daggers. Although Ang Lee's Crouching Tiger, Hidden Dragon was more widely acclaimed (winning the 2000 Oscar for Best Foreign Language Film and being nominated for Best Picture) I think that this film is the more amazing cinematic achievement, although this is admittedly a very close and somewhat arbitrary call. Together with this director's Hero, this trio of films (all featuring the incredible Zhang Ziyi) are must watching for anyone who likes martial arts and gorgeous spectacle. Director: Zhang Yimou. Released: 2005.
  7. Dreamgirls. Who said the musical was dead? Openly gay writer-director Bill Condon achieved the impossible by adapting the thinly veiled 80s-era musical about the 60s supergroup The Supremes and finding someone who could handle the tsunami posing as a song "(And I'm Telling You) I'm Not Going." Jennifer Hudson won a well-deserved Oscar in her debut movie role and Beyoncé showed that she was born to inhabit the role of Miss Diana Ross. Director: Bill Condon. Released: 2006.
  8. Spirited Away. This is not a Disney cartoon! Any serious student of film in general and animation in particular knows the name of Miyazaki. The Japanese filmmaker makes emotionally resonant films with curious stories that contain heart-stoppingly strange and beautiful images that are hard tp forget. In Spirited Away Miyazaki is at the top of his game and we are all the richer for it. Director: Hayao Miyazaki. Released: 2004.
  9. Far From Heaven. Written and directed by Todd Haynes but animated by Julianne Moore's heart-wrenching performance as a 1950s-era wife married to a man with a secret played by a surprisingly good Dennis Quaid, this film is like a nearly perfect confection: short and sweet and leaves you wanting more. Director: Todd Haynes. Released: 2002.
  10. Brokeback Mountain. The first film to have millions of gay men leave the theater shattered at finally seeing an emotionally true depiction of homosexuality in a major motion film. The relationship between Heath Ledger's Ennis Delmar and Jake Gyllenhaal's Jack Twist is the core of the film but it is the story and beautiful direction that really twists the knife. And, yes, I'm still bitter it didn't win Best Picture! Director: Ang Lee. Released: 2005.
And since I couldn't just mention only 10, here are ten more (not in any order) that should not be forgotten.

Honorable Mentions: Pan's Labyrinth, Wallace & Gromit: Curse of the Were-Rabbit, The Prestige, Finding Nemo, Juno, Slumdog Millionaire, Kill Bill, United 93, Milk and Moulin Rouge!

BOOK REVIEW: Peter F. Hamilton's THE TEMPORAL VOID

Peter F. Hamilton's The Temporal Void is Book 2 in his Void Trilogy. Hamilton is one of my favorite authors, primarily for his Night's Dawn series and the Commonwealth Saga (Pandora's Star and Judas Unchained). The first book in the Void Trilogy was The Dreaming Void and was released in the United States in March 2008. This second book was released in March 2009. The third (and final) book, The Evolutionary Void is expected to be released August 31, 2010.

The Void Trilogy
is unusual for Hamilton, because it combines elements of fantasy and hard space opera. The setting is fifteen hundred years in the future from the events that are depicted in the Commonwealth Saga books Judas Unchained and Pandora's Star, although some of the major characters from those books are still alive (thanks to rejuvenation technology), like (my personal favorite) Paula Myo, the openly gay Oscar Monroe and Ozzie (who has become so famous his name is a regular outburst).

The Temporal Void continues immediately after the The Dreaming Void and dispenses with the background details that were necessary in that initial outing to acclimatize the reader to Hamilton's intricately detailed universe.

The best features of The Dreaming Void are included in its sequel: the continuing saga of Eldeard Waterwalker, the development of his telekinetic and telepathic powers and his ascension through the society of the medieval city-state of Makkathran.

Additionally, the space opera components of the story are stronger, but as varied as ever.
Happily, more time is spent with old familiar characters like Investigator Paula Myo and Senator Justine Burnelli, and new characters like the memory-wiped assassin Aaron and the fugitive Second Dreamer Araminta begin to intrigue and impress.

The Dreaming Void fulfills the promise of the first book and sets up what should be a thrilling conclusion in the final book, The Evolutionary Void. I can't wait!

Hardcover: 736 pages.
Publisher: Del Rey.
Date:
March 24, 2009.

PLOT: A+.
IMAGERY: A.
IMPACT: A-.
WRITING: A.

OVERALL GRADE: A.

BOOK REVIEW: China Miéville's THE SCAR

China Miéville's The Scar is another incredible work of fiction by this little-known, but award-winning author of speculative fiction.

Although, not as haunting as his breakthrough work Perdido Street Station (see MadProfessah's review here), The Scar is equally inventive and enthralling.

Again set on the planet of Bas-Lag, where his signature creation, the city of New Crobuzon, is situated, this time, most of the action takes place far far away from the city, but again the central characters are (displaced) residents of that intriguing, terrifying metropolis.

The Scar is clearly Miéville's homage to Melville's Moby Dick. One of the central plot threads in the book is a search for a long-rumored mythical beast, a gigantic sea creature large enough to dwarf, and tow, a floating city. This is just one of the many intriguing story lines in the book, which also features pirates, vampires, humans genetically modified to breathe underwater and stigmatized inter-species sexual liaisons.

In The Scar, the main character of the book is female, Bellis Coldwine, a translator of languages who finds herself on a boat destined for a port halfway on the other side of the world, fleeing from her beloved New Crobuzon because of her actions (and reactions) to the horrific events chronicled in Perdido Street Station. Bellis is an interesting, somewhat detached and not altogether sympathetic protagonist. Miéville makes the common mistake of having his protagonist a witness to a few too many pivotal moments in the plot, but this reader is appreciative of the use of this common writer's device.

There is nothing common about The Scar or the imagination of China Miéville--read this book and you will be uncommonly entertained.

Length: 656 pages.
Publisher:
Del Rey.
Date:
June 25, 2002.

OVERALL GRADE: A/A+.

PLOT: A+.
IMAGERY: A+.
IMPACT: A-.
WRITING: A.

BOOK REVIEW: Scott Lynch's LOCKE LAMORA Books



Scott Lynch has written two excellent fantasy novels featuring an enduring character named Locke Lamora, who is a member of a troupe of thieves called the Gentleman Bastards.

I discovered Scott Lynch after reading Patrick Rothfuss' amazing The Name of The Wind (see MadProfessah's A review) and noticing them on Amazon.com's recommendation list for people who liked Rothfuss' work. I borrowed them from the Glendale Public Library but I like them so much I would have easily paid for them.

The Lies of Locke Lamora and
Red Seas under Red Skies are intended to be the first of a seven part series of books, with the third installment, titled The Republic of Thieves scheduled for release in June 2010.

If you liked the Pirates of the Caribbean movies you would definitely like the Locke Lamora books. In fact, if there are any Hollywood types reading this blog, you should immediately try to acquire the film rights to these books--they would make excellent summer blockbusters! (Never mind, looks like Warner Brothers has it covered.)

The plots of the books are complicated so I don't want to go in detail about that aspect, but what I do want to talk about are the highlights, of which there are many. First of these is the close relationship between the lead character and his best friends, which are basically an adopted family to the orphaned Locke. Second, is the detailed description of the world in which the novels are set. There is not technology like we are used to, instead there is some level of magic in a City-State called Camorr which resembles Earth's Venice with lots of canals and gondolas and an ornate social structure with intricate class and cultural assumptions that seem somewhat reminiscent of Renaissance Italy. Third, is the suspenseful depiction of the action sequences which evoke images of James Bond and Ocean's Eleven movies.

You can tell that Lynch had fun writing the books, and the reader has fun reading them as well. I do hope that after a 3-year hiatus between Locke Lamora novels Lynch figures out a way to write the books more quickly, I can't wait to read them all!

Title:
The Lies of Locke Lamora. Length: 512 pages. Publisher: Spectra (June 27, 2006).

OVERALL GRADE: A.

PLOT: A.
IMAGERY: A-.
IMPACT: A.
WRITING: A-.

Title: Red Seas Under Red Skies. Length: 576 pages. Publisher: Spectra (July 31, 2007).

OVERALL GRADE: A/A-.

PLOT: A.
IMAGERY: A-.
IMPACT: A-.
WRITING: A-.

BOOK REVIEW: China Miéville's PERDIDO STREET STATION

China Miéville's Perdido Street Station is an incredible work of speculative fiction. It won the Arthur C. Clarke award and was nominated for both the Hugo and Nebula awards, the two most prestigious awards in science fiction and fantasy books.

Miéville's work is incredibly complex, weird and engrossing. It is somewhat reminiscent of the work of Octavia Butler in its singular views of alien sex, compellingly detailed depiction of complex societies and intricate plots.

Perdido Street Station is a gripping, horrifying read which epitomizes the very best of speculative fiction.

The story is set in New Crobuzon, a sprawling, dirty, bustling metropolis on an alien world which is probably Miéville's most signal literary achievement. New Crobuzon is a city-state as rich, diverse and powerful as ancient Rome or Athens. It is populated with various kinds of creatures, the most prominent of whom are humans, khepri (they have insectoid heads on human female bodies), cactacae (humanoid-cactus hybrids) and vodyanoi (aquatic beings with webbed feet who can manipulate water to form structures and can not survive without getting their skin wet for more than a day).

The plot is so complex it is difficult to be easily summarized (this is a common problem with Miéville's books) but the most memorable strand to me centers around common nightmares which everyone in the City starts having, which (unsurprisingly) turn out to be related to the fact that certain people are not waking up at all...

Oh, and there's a geeky mad scientist, The Devil himself and an uprising of an enslaved underclass--and those are just story elements!

Perdido Street Station is not for everyone, but I bet that almost everyone will enjoy it.

Length: 640 pages.
Publisher:
Del Rey.
Date:
July 29, 2003.

OVERALL GRADE: A/A+.

PLOT: A.
IMAGERY: A+.
IMPACT: A.
WRITING: A.