Showing posts with label Cate Blanchett. Show all posts
Showing posts with label Cate Blanchett. Show all posts

Ian McKellen Confirmed For "The Hobbit"

openly gay Sir Ian McKellen, 71

Ian McKellen, who played Gandalf in all three Lord of the Rings movies, has signed on to reprise his Oscar-nominated role in the two upcoming films being made by Peter Jackson of their juvenile fiction prequel The Hobbit.

McKellen joins other stars from the very successful Lord of the Rings trilogy to return to Middle Earth for the prequel movies like Cate Blanchett as Galadriel, Elijah Wood as Frodo and Andy Serkis  as Gollum.

2009 Oscars: Nomination Predictions

Tomorrow morning at 5am PST (Thursday January 22) the 81st Academy Award nominations will be announced for films released in 2008. The Golden Globe awards were previously announced on Sunday January 11th. After seeing the actual nominations on Thursday I will post a more extensive post with my predictions for the Top 8 awards. In previous years, Mad Professah has done pretty well in predicting both nominations and wins. Last year I won an online Oscars predictions contest (by picking 18 out of 24 awards correct) that resulted in having free Netflix for 6 months!

Best Picture
The Dark KnightMilkSlumdog Millionaire

Best Director

Best Actress

Best Actor

Best Supporting Actress

Best Supporting Actor

Best Original Screenplay

  • Woody Allen, Vicky Cristina Barcelona
  • Dustin Lance Black, Milk
  • Jenny Lumet, Rachel Getting Married
  • Tom McCarthy, The Visitor
  • Robert Siegel, The Wrestler

Best Adapted Screenplay

Total Nominations

  1. The Curious Case of Benjamin Button, 9
  2. Slumdog Millionaire, 8
  3. Frost/Nixon, Milk 6
  4. Doubt, The Dark Knight, 5

MOVIE REVIEW: The Curious Case of Benjamin Button

David Fincher's The Curious Case of Benjamin Button is one of the leading contenders for the Best Picture of the year but has been receiving wild ecstatic raves and vicious pans from the filmerati.

The Oscar nominations come out on Thursday January 24th and most Oscarologists expect "Ben Button" to be in the elite group of Best Picture nominees, and may have the most nominations overall.

As the above pictures indicate, the film stars Oscar winner (The Aviator) Cate Blanchett and (2-time) World's Sexiest Man Brad Pitt and was written by Oscar-winner Eric Roth (Forrest Gump). Oscar winner Tilda Swinton (Michael Clayton) also has a pivotal role. However, the real star of the film is the stunning visual effects that depict the reverse-aging of Brad Pitt's character Benjamin Button as well as the forward-aging of Cate Blanchett's Daisy.

This is clearly film-making at a very high level, with the art direction, cinematography and score particularly notable. The producers of this film often work with Steven Spielberg and clearly they intended The Curious Case of Benjamin Button to have the magic of some of his classic films and/or Forrest Gump. Sadly, "Ben Button" does not reach those heights; it is a very good, but not great film.

The central conceit of the film, that someone would be born very old and physically age in reverse actually is quite effective. This plot device actually provokes some serious ruminations on the nature of life by the viewer which is often the hallmark of great art. Interestingly, despite having a structural lack of suspense (we know that Benjamin Button is going to have to "grow young and die") Eric Roth's script does an excellent job of still providing twists and turns that surprise and delight.

Both Blanchett and Pitt give spellbinding performances. Pitt, especially astounds in his physical ability to embody younger and younger versions of himself. However, I was also struck by Blanchett's even more difficult (albeit more traditional) performance that contains more physically humbling scenes. Taraji P. Henson plays Brad Pitt's adoptive mother as one of several "magic negroes" that mar the film's emotional impact. The shooting of the film in and around New Orleans, Louisiana does provide an interesting emotional frisson as well as the inclusion of the somewhat controversial Hurricane Katrina sub-plot featuring Julia Ormond.

Overall, The Curious Case of Benjamin Button is one of the best films of the year; with outstanding performances by both lead actors and an intriguing plot devices that provides an opportunity for self-reflection.

Running Time: 2 hours, 46 minutes, MPAA Rating: PG-13.

OVERALL GRADE: B+/A-.

ACTING: A.
IMAGERY: A-.
PLOT: B+.
IMPACT: B+.

REVIEW: Indiana Jones and the Kingdom of the Crystal Skull

Mad Professah saw Indiana Jones and the Kingdom of the Crystal Skull at the Edwards Renaissance 14 in Alhambra on Memorial Day.

The movie is the fourth episode in a series that started with Raiders of the Lost Ark in 1981, followed by Indiana Jones and the Temple of Doom (1984) and Indiana Jones and the Last Crusade (1989).

It's hard to decide how to review these "tent pole" summer blockbusters: dispassionately as films or simply as entertainment vehicles. However, it seems to me that if the film is "good" then it should be able to cause the viewer to suspend disbelief long enough to enjoy the film on multiple levels.

As my reviews for Iron Man (B+) and Prince Caspian (B-) illustrate, different summer blockbusters have different levels of success in this area of depicting implausibility.

The new Indiana Jones film falls somewhere between these two films in this regard. It does not start well, by having Indiana Jones survive being proximal to a nuclear blast as well as vastly over-estimating the power of magnetic fields.

However, as with most films that are not plot-driven, casting is exceedingly important in the success of Indiana Jones 4. Harrison Ford reprises his role well, although the standout performances are by Cate Blanchett as the villain and Shia LaBeouf as the sidekick.
The direction is exceedingly slick and the plot is preposterous, but overall the film ends up being a relatively pleasant diversion.

GRADE: B.

REVIEW: Babel

I finally got around to seeing Babel this long weekend. It was the last of the Best Picture nominees that I saw and this may have influenced my impressions of the film. I am generally a fan of the director Alejandro González Iñárritu's work. I loved his films Amores Perros and 21 Grams, which were also both written by Guillermo Arriaga and directed and produced by González Iñárritu.

Babel has the now-familiar structure of seemingly unrelated stories following a particular theme with characters whose relatedness the audience has to figure out during the course of the film.

The four stories are: a member of a bereaved American couple (played by Brad Pitt and Cate Blanchett)visiting Morocco gets hit by a stray bullet, two young Moroccan brothers who try to alleviate their goat tending boredom by firing a long range rifle at a faraway tourist bus, a deaf-mute Japanese teenaged girl (played by Best Supporting Actress nominee Rinko Kicuchi) who is estranged from her recently widowed father and desperately seeking intimate (male) attention from strangers in Tokyo and two very young white children who live in San Diego go on a road trip with their Mexican nanny/housekeeper (played by Best Supporting Actress nominee Adriana Barraza) to her son's wedding across the border in Tijuana with her irresponsible nephew (played by hottie and González Iñárritu favorite Gael Garcia Bernal) at the wheel.

As you may have noticed, one of these stories is not like the other: the Japanese teen angst story. The other arcs follow the travails of innocents who are put into mortal peril due to circumstances beyond their control (a stray bullet through the tour bus window hits Cate Blanchett's character, the two boys are caught up in an anti-terrorist militaristic response by the investigating Moroccan authorities and the two kids and caregiver are abandoned in the deadly Mexican desert due to some questionable behavior by Garcia Bernal's character. I am pretty sure the fourth story was included so that the director and writer could include Japanese sign-language as a mode of communication displayed in the film, enhancing it's multicultural bona fides by supplementing the more prosaic languages of (American) English, Spanish, Japanese and Arabic which had already been included.

The score by Gustavo Santaolalla (Best Score Oscar for Brokeback Mountain) is quite interesting and inventive with a sonic palette which includes Mexican hip-hop, Japanese disco, Moroccan vocal pieces as well as his own signature evocative string arrangements. I particularly mention the music because there are many significant scenes of the film without dialogue where the score communicates the emotion of the moment.

All in all, though it's hard to say what Babel means in the end. I believe the inclusion of the fourth story dilutes the narrative impact of the film. I sort of agree with what one wag said on public radio: "Babel should get an award for most directing in a film" (and that's not really a compliment).

GRADE: B+.

2007 Oscars Predictions

MadProfessah's Oscar nomination prediction accuracy rate in the Top 8 categories (Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress, Original Screenplay and Adapted Screenplay) was an impressive 29 out of 40, or 72.5%. EW.com has a very cool Flash-powered game where you can enter EW's Oscars prediction contest. The awards ceremony will be hosted by Ellen Degeneres and broadcast next Sunday February 25th at 5pm from The Kodak Theater in the Hollywood section of Los Angeles.

Best Picture











Of course the major story here is what I like to call in my classes the Wideman question, i.e. "What's not here?" or "What's left out?" The answer is Dreamgirls! In my opinion, it was the Best Picture of the Year. Although I have seen a lot of movies in the last year, I only saw Babel and Letters from Iwo Jima in the last week but I can't say that I was overly impressed with either of these films enough to endorse their Best Picture worthiness.

If I go with the film that I enjoyed the most while watching it I would have to vote for Little Miss Sunshine though I must admit that I felt that there were moments of "Damn! That's good film making" while watching The Departed (for the intricacy of William Monahan's script), Babel (for the impact of Gustavo Santolalla's heart-tugging score) and The Queen (for the amazing Helen Mirren's transformation into Queen Elizabeth II). Sadly, I felt no transcendent moments while watching Letters from Iwo Jima ("Oscar voters snubbed Dreamgirls for this?" this weekend.

Anyway, many Oscar prognosticators have forecast a win by Babel for Best Picture on Sunday while others have gone for The Departed or Little Miss Sunshine. Anyway, Oscar ballots had to be in by Tuesday February 20th. Here are my picks:

SHOULD WIN: Little Miss Sunshine
WILL WIN: The Departed

Best Director

  • Clint Eastwood, Letters from Iwo Jima
  • Stephen Frears, The Queen
  • Alejandro González Iñárritu, Babel
  • Martin Scorsese, The Departed
  • Paul Greengrass, United 93

    SHOULD WIN: Stephen Frears, The Queen
    WILL WIN: Martin Scorsese, The Departed

Best Actress

  • Penelope Cruz, Volver
  • Judi Dench, Notes on a Scandal
  • Helen Mirren, The Queen
  • Meryl Streep, The Devil Wears Prada
  • Kate Winslet, Little Children

    SHOULD WIN: Helen Mirren, The Queen
    WILL WIN: Helen Mirren, The Queen

Best Actor

  • Leonardo Dicaprio, Blood Diamond
  • Ryan Gosling, Half Nelson
  • Peter O'Toole, Venus
  • Will Smith, The Pursuit of Happyness
  • Forrest Whitaker, The Last King of Scotland

    SHOULD WIN: Forrest Whitaker, The Last King of Scotland
    WILL WIN: Forrest Whitaker, The Last King of Scotland
Best Supporting Actress


  • Adriana Barraza, Babel
  • Cate Blanchett, Notes on a Scandal
  • Abigail Breslin, Little Miss Sunshine
  • Jennifer Hudson, Dreamgirls
  • Rinko Kicuchi, Babel

  • SHOULD WIN: Jennifer Hudson, Dreamgirls
    WILL WIN: Jennifer Hudson, Dreamgirls

Best Supporting Actor


  • Alan Arkin, Little Miss Sunshine
  • Jackie Early Haley, Little Children
  • Djimon Hounsou, Blood Diamond
  • Eddie Murphy, Dreamgirls
  • Mark Wahlberg, The Departed

    SHOULD WIN: Djimon Hounsou, Blood Diamond
    WILL WIN: Eddie Murphy, Dreamgirls

Best Original Screenplay

  • Guilllermo Arriaga, Babel
  • Iris Yamashita and Paul Haggis, Letters From Iwo Jima
  • Peter Morgan, The Queen
  • Michael Arndt, Little Miss Sunshine
  • Guillermo del Toro, Pan's Labyrinth

    SHOULD WIN: Guillermo del Toro, Pan's Labyrinth
    WILL WIN: Michael Arndt, Little Miss Sunshine

Best Adapted Screenplay

  • Sacha Baron Cohen and Anthony Hines and Peter Baynham and Dan Mazer and Todd Phillips, Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
  • Todd Field and Tom Perrota, Little Children
  • Patrick Marber, Notes on a Scandal
  • Alfonso Cuarón and Timothy J. Sexton and David Arata and Mark Fergus and Hawk Ostby, Children of Men
  • William Monahan, The Departed

    SHOULD WIN: William Monahan, The Departed
    WILL WIN: William Monahan, The Departed

REVIEW: Notes on a Scandal

Went to the local multiplex at Edwards Renaissance Theaters in Alhambra, CA and saw Notes on a Scandal this past weekend. The movie stars Academy Award winners Dame Judi Dench (Best Supporting Actress, Shakespeare in Love) and Cate Blanchett (Best Supporting Actress, The Aviator) in an adaptation of Zoë Heller's Booker Prize-nominated novel What Was She Thinking?: Notes on a Scandal by Patrick Marber (Academy Award nominee for Closer). These principals are all nominated for 2007 Oscars, as is Phillip Glass for his evocative score.

The story is of a toxic friendship between first-time art teacher Sheba Hart (played by Blanchett) and teaching veteran Barbara Covett (played by Dench) at a gritty, urban public school in North London. The plot follows a tragic personal mistake made by Sheba Hart to begin a sexual relationship with one of her 15-year old male students. The performances by the two leads are riveting to watch, and even the supporting roles are a pleasure to behold. The veteran British actor Bill Nighy (Love, Actually and more recently Pirates of the Caribbean) plays Sheba Hart's husband (and former professor). The young (born January 1, 1989) actor who plays Sheba Hart's romantic interest Steven Connolly who is an active and willing participant in the illicit affair is Andrew Simpson. He does an excellent job of portraying a boy who is mature enough to be involved with an adult much more than twice his age but not mature enough to know how to react when the situation becomes complicated. And things DO become complicated!

The movie has a visceral emotional impact and is compelling to watch, not unlike watching a car crash in slow motion involving people we care about but do not necessarily like. The audience knows what Sheba is doing is wrong, but Blanchett does an amazing job humanizing her character. Dench's character is such a repressed, self-deluded misanthrope that her job is more difficult: to get the audience to continue to watch and attempt to understand Barbara's motivation and actions without disgust. Both actresses succeed at their tasks magnificently. However, the end result is in the service of material which tends to sully the human spirit, not dignify it. Not that there's anything wrong with that.

REVIEW: B+.