Showing posts with label Peter Jackson. Show all posts
Showing posts with label Peter Jackson. Show all posts

My Favorite Films of the Decade 2000-2009

Here is my Top 10 list of my favorite films seen in the last decade, from January 1, 2000 to December 31, 2009.
  1. The Lord of the Rings. The pure cinematic achievement of Peter Jackson's adaptation of J.R.R. Tolkien's classic fantasy novel The Lord of the Rings is absolutely stunning. The films were box-office blockbusters and universally critically acclaimed, even by people who had never read the book(s). I first read the book(s) at the age of 9 and loved these perfect filmic realizations even more than the original(s). Director: Peter Jackson. Released: 2001, 2002, 2003.
  2. Memento. I still remember the sense of wonder and amazement I felt during and after watching Christopher Nolan's debut feature film. My mind was blown but I knew that I wanted to see it again, and that I would make sure to see everything this director would ever release in the future (The Dark Knight, The Prestige, Batman Returns, Insomnia). Director: Christopher Nolan. Released: 2001.
  3. Avatar. Yes, believe the hype! James Cameron confounded all the doubters who refused to believe that the director of Aliens and Titanic could (again!) reinvent the cinematic experience with an(other) original story. I saw the film twice in the first weekend of release and know that I will see it again several times. This is the current generation's Star Wars: a film which restores the sense of wonder to cinema. Director: James Cameron. Released: 2009.
  4. The Incredibles. From the director of the instant classic The Iron Giant and the wizards at Pixar came this incredibly poignant and action-filled story of a family of superheroes. The Incredibles, like Finding Nemo, Up, WALL-E and Ratatouille demonstrate that animation can be as emotionally powerful as live-action. Whenever I see this film on TV I must stop what I'm doing and watch it all the way to the end. If I believed in God, I'd pray for a sequel! Director: Brad Bird. Released: 2004.
  5. Tell No One (Ne Le Dis A Personne). An innocuous little French thriller that grabs your attention from the first scene and leaves you breathless at its satisfying conclusion. The story is adapted from Harlan Coben's thriller "Tell No One." It also does a very good job of illustrating contemporary life in Paris, subtly challenging preconceptions that ideal living standards must be American. Director: Guillaume Canet. Released: 2006 (France), 2008 (United States).
  6. House of Flying Daggers. Although Ang Lee's Crouching Tiger, Hidden Dragon was more widely acclaimed (winning the 2000 Oscar for Best Foreign Language Film and being nominated for Best Picture) I think that this film is the more amazing cinematic achievement, although this is admittedly a very close and somewhat arbitrary call. Together with this director's Hero, this trio of films (all featuring the incredible Zhang Ziyi) are must watching for anyone who likes martial arts and gorgeous spectacle. Director: Zhang Yimou. Released: 2005.
  7. Dreamgirls. Who said the musical was dead? Openly gay writer-director Bill Condon achieved the impossible by adapting the thinly veiled 80s-era musical about the 60s supergroup The Supremes and finding someone who could handle the tsunami posing as a song "(And I'm Telling You) I'm Not Going." Jennifer Hudson won a well-deserved Oscar in her debut movie role and Beyoncé showed that she was born to inhabit the role of Miss Diana Ross. Director: Bill Condon. Released: 2006.
  8. Spirited Away. This is not a Disney cartoon! Any serious student of film in general and animation in particular knows the name of Miyazaki. The Japanese filmmaker makes emotionally resonant films with curious stories that contain heart-stoppingly strange and beautiful images that are hard tp forget. In Spirited Away Miyazaki is at the top of his game and we are all the richer for it. Director: Hayao Miyazaki. Released: 2004.
  9. Far From Heaven. Written and directed by Todd Haynes but animated by Julianne Moore's heart-wrenching performance as a 1950s-era wife married to a man with a secret played by a surprisingly good Dennis Quaid, this film is like a nearly perfect confection: short and sweet and leaves you wanting more. Director: Todd Haynes. Released: 2002.
  10. Brokeback Mountain. The first film to have millions of gay men leave the theater shattered at finally seeing an emotionally true depiction of homosexuality in a major motion film. The relationship between Heath Ledger's Ennis Delmar and Jake Gyllenhaal's Jack Twist is the core of the film but it is the story and beautiful direction that really twists the knife. And, yes, I'm still bitter it didn't win Best Picture! Director: Ang Lee. Released: 2005.
And since I couldn't just mention only 10, here are ten more (not in any order) that should not be forgotten.

Honorable Mentions: Pan's Labyrinth, Wallace & Gromit: Curse of the Were-Rabbit, The Prestige, Finding Nemo, Juno, Slumdog Millionaire, Kill Bill, United 93, Milk and Moulin Rouge!

MOVIE REVIEW: District 9

District 9 is summer 2009's surprise late summer hit. Executive produced by Peter Jackson and directed by a surprisingly young wunderkind from South Africa named Neill Blomkamp on an incredibly small budget of $30 million, the film is surprisingly effective and entertaining.

MadProfessah and The Other Half saw the movie in its first week of release. He liked it more than I did; I felt that it got a little slow in the second act.

The basic story is about an alien ship which appeared suddenly above the city of Johannesburg a few decades. When humans explored the ship they found hundreds of thousands of malnourished and stinking aliens (who look like some kind of arthropod so that they get the nickname "prawns") who are then housed in horribly slum-like conditions. The movie has the form of a faux documentary covering the actions of a private corporation (Multi National United) who has received a contract to relocate the now 1.8 million prawns from their ghetto near the heart of a major South African city to a remote area hundreds of kilometers away which are a thinly disguised concentration camp.

The star of the documentary is a bureaucrat with clearly less-than-average intelligence named Wikus van der Merwe, played by the completely unknown actor Sharlto Copley.

The plot has a number of surprising twists and the visual effects are stunning.

District 9 is an excellent piece of film-making reminiscent of the original breakthrough hit 28 Days Later created by Danny Boyle (Sunshine, Slumdog Millionaire) which is not perfect but is a significant innovation in the way action films are regarded. District 9 had a stunning marketing campaign (realistic signs on bus benches with "Restricted Area: For Humans Only") that raised the anticipation of the film to a fever pitch among fanboys and others, and then lived up to those expectations (89% on rottentomatoes.com).

Running Time: 1 hour, 52 minutes. MPAA Rating: Rated R for bloody violence and pervasive language.

OVERALL GRADE: A.

ACTING: A-.
IMAGERY: A+.
PLOT: A.
IMPACT:
A.

Hollywood Gives Writers No Respect, Example #946

From the detailed press coverage of the writers strike we knew that Hollywood studios had no respect for the work that scribes do, but this is taking things a bit too far. Apparently, the powers that be assholes at New Line Cinema feel that a one-time payment of $62, 500 is just compensation for the creative source of the $6 billion movie franchise The Lord of the Rings. Yesterday, the trustees of the estate of J.R.R. Tolkien sued New Line Cinema for breach of contract. According to Box Office Mojo, the multiple Oscar-winning trilogy has grossed nearly $3 billion worldwide. According to their contract, Tolkien (or his heirs) were to receive 7.5% of "gross receipts" after expenses. Nikke Finke at the must-read Deadline Hollywood Daily has the press release:
The Lord of the Rings films produced by New Line are among the most financially successful films ever created by Hollywood and were released in 2001, 2002 and 2003 respectively. The cumulative worldwide gross receipts to date total nearly $6 billion. Notwithstanding the overwhelming financial success of the films, and the fact that the plaintiffs have a gross participation in each of the films, New Line has failed to pay the plaintiffs any portion of the gross profit participation at all. [emphasis added]

The trustees’ UK lawyer, Steven Maier, of Manches LLP, said: “The Tolkien trustees do not file lawsuits lightly, and have tried unsuccessfully to resolve their claims out of court. But in this case, New Line has left them no option at all. New Line has not paid the plaintiffs even one penny of its contractual share of gross receipts despite the billions of dollars of gross revenue generated by these wildly successful motion pictures. To make matters worse, to date New Line has even prevented the plaintiffs from auditing the last two films of the series. The trustees are very aggrieved by New Line’s arrogance.”

The complaint seeks, among other things, in excess of $150 million in compensatory damages, as well as punitive damages, and a declaration from the Court that the plaintiffs have a right to terminate any further rights New Line may have to the Tolkien works under the agreements, including The Hobbit, due to the serious and material nature of the breach of the agreements.

Bonnie Eskenazi, the trustees’ US counsel who filed the complaint, said, “New Line has brought new meaning to the phrase ‘creative accounting.’ I cannot imagine how on earth New Line will argue to a jury that these films could gross literally billions of dollars, and yet the creator’s heirs, who are entitled to a share of gross receipts, don’t get a penny.”

It should be noted that the Oscar-winning director-screenwriter-producer Peter Jackson had to sue New Line to receive just compensation, so maybe it's not just the writers the suits try to screw over but all creative talent.

However, by dissing the goose that lays the golden eggs, New Line is jeopardizing its previously announced participation in the movie version of The Hobbit, another book written by Tolkien which is a prequel to The Lord of the Rings trilogy.

If New Line (or Time Warner if the rumors are true) doesn't pay the Tolkien Trust some significant fraction of the $150 million that they owe them, this is one Tolkien fanboy who will be boycotting the two new Lord of the Rings films planned for December 2010 and 2011.