Showing posts with label Matt Damon. Show all posts
Showing posts with label Matt Damon. Show all posts

MOVIE REVIEW: True Grit


The Other Half and I saw Joel & Ethan Coen's True Grit last week in the run up to the holidays. We've always been a fan of the Coen Brothers, and I think we have seen most of their entire oeuvre (Raising Arizona, Miller's Crossing, Barton Fink, Fargo, The Hudsucker Proxy, The Big Lebowski, No Country for Old Men and Burn After Reading) although we skipped last year's Osar-nominated A Serious Man.

True Grit stars Jeff Bridges in the role that won John Wayne his Best Actor Oscar (which Bridges won last year for Crazy Heart), Matt Damon, Josh Brolin and introduces Hailee Stanfield. Stanfield plays 14-year-old Mattie Ross who hires Bridges' U.S. Marshall Rooster Cogburn to hunt down Brolin's Tom Chaney who killed Mattie's father and stole a horse. Damon plays a Texas Ranger named La Boeuf who has been tracking Chaney for years but hasn't been able to get very close to him. The three (La Boeuf, Cogburn and Ross) reluctantly join forces to find Chaney in the unincorporated Western Territory even though Mattie wants Chaney captured so that he can hang for killing her father while La Boeuf needs Chaney alive to be brought back to Texas in order to collect a substantial reward. Cogburn will go along with anyone who can guarantee him a steady enough to income to pay for his excessive alcohol consumption.

The original True Grit is a classic Western, based loosely on a book by the same name by Charles Portis. The novel has very stylized language (there are no contractions like "can't" or "ain't"); the Coen Brothers adapted the book, kept most of the formal dialogue and inserted broad humor.

In relation to the end-of-year award sweepstakes True Grit holds its own as an enjoyable, well-made and well-acted film in a genre which hearkens back to the Golden Age of Hollywood. It is not as meaningful a film as Clint Eastwood's Unforgiven, which re-imagined and re-invigorated the Western. However, (somewhat surprisingly to some) the Coen Brothers have not produced a quirky parody of a Western, but a pretty straightforward example which emphasizes the strengths of the form.

Title: True Grit.
Running Time: 1 hour, 50 minutes.
MPAA Rating: PG-13 for some intense sequences of western violence including disturbing images.
Release Date: Wednesday, December 22, 2010.
Attendance Date: Thursday, December 23, 2010.

Writing: A-.
Acting: A.
Visuals: A-.
Impact: A-.

Overall Grade: A- (3.75/4.0).

Mark Leno Proposes Harvey Milk State Holiday May 22

Joe.My.God alerted me to the news that openly gay Assemblyman Mark Leno is proposing legislation to make May 22 a non-fiscal state holiday in honor of slain San Francisco Supervisor and gay rights hero Harvey Milk. The bill would declare May 22 "Harvey Milk Day" in California. There are currently not one but two Hollywood bio-pics planned on the life story of Harvey Milk, the first starring Sean Penn and Matt Damon and directed by openly gay director Gus Van Sant, and the second based on the best-selling book The Mayor of Castro Street and directed by openly gay director Bryan Singer (Superman Returns, The Usual Suspects) and produced by openly gay producing team of Meron&Zadan (Chicago, Hairspray).

Mark Leno is currently locked in a tight primary race with openly lesbian State Senator Carole Migden, to be decided on Tuesday February 5th.

Top 10 Movies of 2007

Last year's list of the Top 10 (MadProfessah-reviewed) movies of 2006 was not issued until March 6, 2007, a week after the Oscars were announced and the Top 10 (MadProfessah-reviewed) movies of 2005 was not published until January 18th, 2006.

However, I want to make sure the list to be a list of the best movies that I actually saw in 2007, since my previous Top 10 list was published here.
10. 3:10 to Yuma. The best western since Unforgiven stars Russell Crowe and Christian Bale in a remake of a classic which matches the original for intensity and suspense--with the added benefit of a scenery-chewing performance by Ben Foster as the fey psycho violent sidekick.


9. Boy Culture. What? A well-written gay movie? Yes, Virginia, they do exist! This romantic comedy had very handsome actors interacting in a surprisingly real and really surprising way.

8. 300. A homoerotic smorgasbord of computer generated ultraviolence masquerading as a historic epic. "1800 abs" was a unique visual experience, very stimulating and although story-deficient, oddly compelling.

7. Ratatouille. The latest film from Brad Bird, the creator of my 2004 favorite film, The Incredibles is the creative force behind this tour de force animated masterpiece from the magicians at Pixar about a rat in a Paris restaurant who loves to cook.

6. 28 Weeks Later / Sunshine. From the mind of Danny Boyle (28 Days Later) and each featuring Rose Byrne comes these two very different, science-fiction based action films. 28 Weeks Later is actually more effective than the original. Sunshine is an absolutely gorgeous spaceship-based thriller influenced by seminal films like Alien and 2001.

5. The Simpsons Movie. Like a really good, 90-minute episode of The Simpsons--what's not to like?

4. The Namesake. I may be influenced by my trip to India last year, but I was greatly moved by this film adaptation of one of my favorite books by Jhumpa Lahiri. The story is about the intergeneration conflict between immigrant parents and their American born children. In addition, the acting by Kal Penn and Irfan Khan is extraordinary, and Mira Nair's directing is at her most proficient to date.

3. Sicko/¡Salud!. The health care crisis in the United States is only growing worse day after day and these two documentaries pointed out the ridiculous state of affairs while also highlighting that there are other solutions many other countries around the world have identified and implemented.

2. The Bourne Ultimatum. A technically flawless summer action movie helmed by director Peter Greengrass and carried by Matt Damon which starts with the accelerator to the floor and doesn't let up until the final frame.

1. Juno. The most enjoyable time I spent at the movies all year was watching this heartfelt, pitch-perfect comedy that has an impact which is felt long after the movie is over. Diablo Cody's script along with an incredible ensemble cast headed by the hitherto unheralded Ellen Page in the title role are destined to receive Oscar recognition.


Honorable Mentions: The Host, American Gangster, Hairspray and I Am Legend.

It should also be noted that I have yet to see end-of-year contenders like Sweeney Todd, Atonement, No Country for Old Men, There Will Be Blood, The Great Debaters or Persepolis. When I see them, I will review them, but they will count towards my 2008 Top 10.

The Race For Harvey Milk's Life

Sean Penn
Sean PennMatt Damon


The race in Hollywood to complete a film adaptation of the Harvey Milk story, the first widely known openly gay elected official in the United States, is heating up. Oscar winner Sean Penn has agreed to play Harvey Milk, with Matt Damon playing fellow San Francisco Supervisor Dan White. White assassinated Milk and San Francisco Mayor George Moscone, and after employing the infamous "twinkie defense" received a lenient sentence which led to riots in the Castro district and other areas of the City. In 1982 openly gay reporter Randy Shilts published an amazing book recounting the details of the Harvey Milk story called The Mayor of Castro Street: The Life and Times of Harvey Milk which Mad Professah can not recommend highly enough.

However, the film adaptation of the Randy Shilts book is not the movie that Matt Damon and Sean Penn are attached to. That film is to be directed by openly gay Bryan Singer (Superman, The Usual Suspects), produced by openly gay producers Craig Zadan and Neil Meron (Hairspray, Chicago) from a script still to be re-written by Chris McQuarrie. It is currently set for a 2009 release, acccording to IMDb. The Penn-Damon film is set to be directed by openly gay Gus Van Sant (Good Will Hunting, My Own Private Idaho, Elephant) and produced by the openly gay team of Bruce Cohen and Dan Jinks (American Beauty, Big Fish, The Nines) with a script by Dustin Lance Black.

So, the question is will there be two films of this amazing story, and will the better film reach the screen first? Recall that there were at least two films about Truman Capote in recent years. Capote was released before Infamous and won and Oscar for Philip Seymour Hoffman while the latter basiclly disappeared without a trace, despite receiving encouraging reviews.

The Harvey Milk story is incredibly important to the gay community so I hope that the competition in Holywood to get the film to the screen succeeds in getting the best film to the screen first.

REVIEW: The Bourne Ultimatum

Between semi-final matches of the WTA Acura Classic a few weeks ago MadProfessah attended a screening of The Bourne Ultimatum at an Ultra-Star Theater in Carlsbad, CA on Saturday of opening weekend. There was a line to get into the theater and the particular screening was packed.


After having seen the first two Bourne movies, The Bourne Identity and The Bourne Supremacy, on DVD I was interested in seeing the latest "threequel" in the theaters, particularly since I had seen Shrek The Third, Pirates of the Caribbean: At World's End and Spider-Man 3.

The Bourne Ultimatum is a nearly perfect action movie. It is well-directed by Paul Greengrass (Oscar nominated for United 93) and cleverly written by Tony Gilroy and starring Matt Damon, the same team who also made The Bourne Supremacy together.

The third installment in the Bourne franchise has received nearly uniformly positive reviews (94% users, 94% critics at rottentomatoes.com) and is doing exceedingly well at the box-office, on track to well outperform the previous two films.


And its clear to see why. The filmmakers have retained the voyeuristic travelogue aspect to the film (we get to see Jason Bourne in London, Madrid, Moscow, Turin, Paris, Tangier and finally New York City) while increasing the action level to a near fever pitch. Any attempt at love interest has been jettisoned, making the film essentially an all-boy's affair. Julia Stiles and Joan Allen return to forward the plot slightly, and even the small parts are peopled by very good actors: David Strathairn, Albert Finney and Scott Glenn.

Ultimatum is the last of the three Bourne books written by best-selling spy novelist Robert Ludlum, and the movies diverged greatly from the books when they were adapted to increase their entertainment value. The filmmakers have done an excellent job of making an adult, intelligent spy thriller and I'm sure the lack of an actual source novel to adapt will not prevent them from making more.

GRADE: A.