Showing posts with label Colin Firth. Show all posts
Showing posts with label Colin Firth. Show all posts

MOVIE REVIEW: The King's Speech


Finally saw The King's Speech, the latest Oscar-bait ("Based on the incredible true story") from The Weinstein Company. It is directed by Tom Hooper, starring the crème de la crème of British acting talent (Colin Firth as King George VI, Helena Bonham Carter as Queen Elizabeth, Timothy Squall as Winston Churchill, Michael Gambon as King George V) as well as some renowned Australian actors (Geoffrey Rush and Guy Pearce).

The King's Speech is widely seen as a front-runner for the 2010 Best Picture Oscar, with Firth garnering kudos from almost every critics group under the sun and building a convincing claim that last year's Best Actor nomination for A Single Man was merely a precursor to a win this year. Rush, who already has a Best Actor statuette for Shine, is generating buzz for a supporting Oscar, but it looks like Christian Bale's work in The Fighter may have that category wrapped up.

It's hard to evaluate the film outside the context of the annual Oscar race, especially considering the Weinsteins' history and the caliber of the actors involved. Hooper is a well-regarded but youthful British direct most well-known for the HBO miniseries John Adams which starred Paul Giamatti and Laura Linney and won a boatload of Emmys last year.

The King's Speech is about the story of an unorthodox Australian speech therapist named Lionel Logue who worked with the Duke of York (the King's second oldest son) to try to correct a severe stammer and a concomitant paralyzing fear of public speaking. Firth does a heart-wrenching job of portraying the agony of a chronic stutterer. Since, he is second-in-line for the throne, Firth's character (called Bertie by his friends and family) has many, many opportunities (and obligations) to give public speeches and the film depicts the way time seems to stand still as Firth labors to produce coherent and articulate sounds. In addition to the personal journey of Bertie to overcome what appears to be an insurmountable disability, the film also is leavened with suspense as the political intrigue thickens as Bertie's brother becomes King, making Bertie next in line. Of course, the problem is that if Bertie becomes King then of course he will have even more obligations to speak publicly.

Overall, the film depicts pre-World War II era London impeccably. Firth's performance, along with Bonham Carter's clever turn as his consort and Rush's attempt to steal scenes are the main reasons to see the film. Although it is hugely entertaining and captivating, I did n;t leave the film thinking "Wow, that was a reallly good movie" which is how I did feel when I walked out of Toy Story 3Inception, The Kids Are All Right and The Social Network.

Title: The King's Speech.
Running Time: 1 hour, 51 minutes.
MPAA Rating: R for some language.
Release Date: Friday, November 26, 2010.
Seen: Tuesday, December 21, 2010.

Plot: B+.
Acting: A.
Visuals: A-.
Impact: A.

Overall Grade: A- (3.75/4.0).

Golden Globes Nominations Announced


The Golden Globe nominations are out. The King's Speech leads with 7, The Social Network and The Fighter are tied with 6.

BEST MOTION PICTURE – DRAMA
BLACK SWAN
THE FIGHTER
INCEPTION
THE KING’S SPEECH
THE SOCIAL NETWORK

BEST MOTION PICTURE – MUSICAL OR COMEDY 
ALICE IN WONDERLAND
BURLESQUE
THE KIDS ARE ALL RIGHT
RED
THE TOURIST
BEST DIRECTOR
Darren Aronofsky, BLACK SWAN
David Fincher, THE SOCIAL NETWORK
Tom Hooper, THE KING’S SPEECH
Christopher Nolan, INCEPTION
David O. Russell, THE FIGHTER
BEST SCREENPLAY
Danny Boyle, 127 HOURS
Lisa Cholodenko and Stuart Hart, THE KIDS ARE ALL RIGHT
Christopher Nolan, INCEPTION
David Seidler, THE KING’S SPEECH
Aaron Sorkin, THE SOCIAL NETWORK
BEST ORIGINAL SCORE
Alexander Desplat, THE KING’S SPEECH
Danny Elfman, ALICE IN WONDERLAND
A.R. Robin, 127 HOURS
Trent Reznor, THE SOCIAL NETWORK
Hans Zimmer, INCEPTION
BEST FOREIGN LANGUAGE FILM 
BIUTIFUL
THE CONCERT
THE EDGE
I AM LOVE
IN A BETTER WORLD
BEST ANIMATED FILM
DESPICABLE ME
HOW TO TRAIN YOUR DRAGON
THE ILLUSIONIST
TANGLED
TOY STORY
BEST ORIGINAL SONG – MOTION PICTURE 
“Bound to You” – BURLESQUE
“Coming Home” – COUNTRY STRONG
“I See the Light” – TANGLED
“There’s a Place for Us” – THE CHRONICLES OF NARNIA: THE DAWN TREADER
“You Haven’t Seen the Last of Me” – BURLESQUE

MOVIE REVIEW: A Single Man

Fashion designer Tom Ford's first film is A Single Man and stars Colin Firth and Julianne Moore.

A Single Man is about a gay (closeted) professor of English in Los Angeles named George Falconer played by Firth who has lost his handsome, younger partner of 16 years, Jim (Matthew Goode) in the last year, and follows him during the course of one day, depicting his attempt to come to terms with grief, loss and hope. Julianne Moore plays George's best friend and neighbor, Charly, who also knew him years before in London and is now (again) single and clearly hopeful that now that George is single also the two could be more than friends.

Nicolas Hoult plays a youthful and attractive student with impossibly large, bright blue eyes who is curiously, inappropriately interested in George's personal life.

The most memorable features of the film is the incredibly detailed art direction which depicts southern California of 1962 with elegant accuracy. Another high point is Colin Firth's lead performance which does an excellent job of really communicating the depth of feeling of a man who is grieving the love of his life but is constrained by social conventions (this is almost a full decade before Stonewall, after all) from doing so. Unfortunately, it is clear that this is Tom Ford's feature film debut, because it is directed with a heavy, obtrusive hand.

Running Time: 1 hour, 39 minutes.
MPAA Rating: Rated R for some disturbing images and nudity/sexual content.
Director: Tom Ford.

OVERALL GRADE: B+ (3.42/4.0).

ACTING: A.
IMAGERY: B+.
PLOT: B.
IMPACT: B+.